The Refugee Whose Right Hand Was a Cat: Short story by Anouar Rahmani

It would not stop meowing. Naseem pressed his right arm against his chest and pulled his coat tighter. Somewhere behind him, a child began to cry. “Sir,” the security officer said, “I need you to remove your hand from your jacket.” “It is my hand.” “I understand. I still need to see it.” Naseem looked at the line behind him. People had begun leaning sideways to see what was delaying them. He had already missed one connection in Algiers. Paris was his last airport before America.

Slowly, he opened his coat. Sisan licked her lips and blinked. For a moment nobody spoke. From the elbow down, Naseem’s right arm was covered in thick gray fur. Where a hand should have been there was instead the head of a cat: two ears, green eyes, whiskers, a small pink nose. There were no paws. No hidden animal beneath his clothes. The cat simply ended where Naseem began. Sisan looked at the officer. “Meow.” The officer took a step backward. Naseem sighed. “She does that when she’s nervous.”

His mother had always blamed the neighbor’s cat. While pregnant with him, she had wanted the animal desperately. She would watch it from the kitchen window as it slept on a wall. Once, according to his aunt, she had cried because the neighbor refused to give it to her. Then Naseem was born. His family had explanations. His grandmother said a pregnant woman’s desires could mark a child. An uncle blamed the devil. A cousin who had studied biology for one year at university said something about mutations. Naseem preferred not to explain it.

Sisan was his hand. That was all. He felt when someone touched her. When she was cold, he was cold. When someone pulled her whiskers, pain shot through his arm. When he was frightened, she hissed. When he was content, she purred. As a child, he had tried once to command her not to purr. She purred louder. His mother laughed. “You cannot order every part of yourself to be silent, especially if this part of yours is a cat.”

In Algeria, however, Naseem eventually learned that silence was useful. He hid Sisan beneath long sleeves and coats. At school he claimed his right hand had been injured. At university he learned to write with his left. When strangers heard meowing beneath his clothes, he pretended not to hear it. By twenty-seven, hiding his hand had become so natural that sometimes he forgot he had two. America, he believed, would be different.

At the airport in New York, the immigration officer stared first at Naseem’s passport and then at Sisan. The passport contained two photographs: one of Naseem and one of the cat. The Algerian authorities had insisted on this arrangement after three years of administrative disputes. “Name?” the officer asked. “Naseem.” “The cat.” “Sisan.” “Is Sisan traveling with you?” Naseem looked down at his arm. “Yes.” “Relationship?” Naseem waited to see whether the man was joking. “He is asking our relationship,” he whispered to Sisan. She yawned. “My hand.”

The officer typed something. Naseem tried to look at the screen. “Please stand behind the line.” He stepped back. The officer typed for another minute. “Welcome to the United States.” That was all.

Outside the terminal, Naseem stood beneath an enormous American flag and allowed Sisan out of his coat. Cold air touched her fur. She lifted her face. New York moved around them without stopping. A woman pulling a suitcase stared for half a second and continued walking. A taxi driver looked twice. Some laughed, but not cruelly. Nobody screamed. Nobody called the police. Nobody told him to cover himself. For the first time in years, Naseem walked through a crowd with his right arm exposed. Sisan purred. Naseem nearly cried. Perhaps, he thought, this is what freedom feels like. He would remember that thought later.

The first person to touch Sisan was the receptionist at his hotel. “Oh my God.” Before Naseem understood what was happening, her fingers were between Sisan’s ears. Sisan purred automatically. The woman laughed. “She likes me!” Naseem smiled. “Yes.” “What breed is she?” “She isn’t a breed.” “Can I take a picture?” Naseem hesitated. The receptionist already had her phone out. “Sure.” She photographed Sisan. “Can you move your arm a little?” He moved it. “No, toward the light.” He moved again. “Perfect.” She showed him the photograph. Sisan looked beautiful. Naseem was mostly outside the frame. His chin appeared in the picture.

That evening the receptionist posted it online:

Met the CUTEST immigrant today!!! 😭🐱❤️

By morning, thousands of people had liked it. For several days, Naseem was delighted. People in America loved his hand. At university, students invited him to parties. Professors remembered him immediately. A local newspaper interviewed him. Someone from the international office asked whether he would participate in a diversity campaign. “You have such an extraordinary story,” the woman told him. He agreed. He had an extraordinary story. For most of his life, extraordinary had been an insult. Now it sounded like a compliment.

The university photographed him in front of a white wall. “Could you raise the cat a little?” Naseem raised his arm. “Higher.” He raised it higher. “Beautiful.” The photographer took dozens of pictures. At one point Naseem lowered his arm because his shoulder hurt. “Just a few more.” The campaign appeared two months later:

 EVERYBODY BELONGS HERE

Sisan occupied most of the poster. Naseem’s face was visible in the corner. He sent the image to his mother. She called him immediately. “You look handsome.” “Did you see Sisan?” “Of course. She is bigger than you.” They laughed. Naseem printed the poster and hung it above his desk. For a while, he was proud of it.

Then strangers began recognizing him. “Cat Hand!” someone shouted across a supermarket. A woman asked if her daughter could pet Sisan. “Yes.” Another woman did not ask. Then a man. Then two students. Then a professor. Then a drunk woman at a party who kissed Sisan directly on the mouth. Naseem pulled his arm away. “Please don’t do that.” The woman looked offended. “I love cats.” “I know.” “I wasn’t hurting her.” “I know.” “So what’s the problem?” Naseem looked at Sisan. She was licking the woman’s lipstick from her fur. “It’s my hand.” The woman laughed. “You’re funny.” “I’m serious.” Her smile disappeared. “I was only being nice.” For the rest of the evening, she avoided him. Naseem went home early.

He worked evenings at a university burger restaurant. Sisan made the job difficult. Whenever Naseem carried meat, she tried to bite it. He learned to hold trays with his left hand and keep his right arm behind his back. His manager tolerated this until a customer complained. “I’m sorry,” the manager told him. “I completely support you personally.” Naseem waited. “But technically she’s an animal.” “She is technically my hand.” “I understand.” “If you understand, why are we having this conversation?” The manager looked uncomfortable. “I’m trying to find a solution.”

The solution was a plastic muzzle. Naseem wore it on Sisan for three shifts. Customers took pictures. Someone posted one online with the caption:

Even the cat has a job in America 😂

Naseem removed the muzzle. The manager removed him from the schedule.

The question of whether Sisan was a hand, or a cat became surprisingly difficult. A restaurant refused him entry under its no-pets policy. A clinic asked him for vaccination records. A landlord demanded a pet deposit. The university informed him that animals were prohibited in one laboratory. “But she is attached to my body,” Naseem told the administrator. “I completely understand.” Naseem had begun to hate that sentence. The administrator turned her computer toward him. “I’m just showing you the policy.” On the screen were the words: NO ANIMALS EXCEPT SERVICE ANIMALS. “What do you want me to do?” “We can discuss accommodations.” “What accommodation?” She smiled kindly. “Perhaps you could keep her covered.” Naseem looked at the woman for a long time. He thanked her. Then he went home and took his old coat from the closet.

Sisan resisted. Whenever he pushed her beneath his shirt, she fought her way out. “Stop it.” Meow. “Please.” Meow. “You don’t understand.” She bit his shirt. “People don’t like it.” She stared at him. “I completely understand, but I’m trying to protect us.” Sisan hissed. Naseem suddenly became angry. “I said stop.” The cat froze. For several seconds they looked at each other. Then Sisan lowered her head. Naseem felt ashamed. He stroked her fur with his left hand. “I’m sorry.” She did not purr.

The incident happened on a Tuesday evening. Naseem had worked a double shift at another restaurant and was walking toward the bus stop when Sisan forced her head through the opening of his coat. A young woman noticed. “Oh my God! Is that the cat guy?” Three people stopped. Then six. Someone recognized him from the university campaign. “That’s him!” A phone appeared. Then another. A man reached for Sisan. “Please don’t.” The man laughed. “I just want to pet her.” “No.” “Come on.” “No.” The man touched her anyway. Sisan hissed. “Whoa.” “I told you.” “Your cat is aggressive.” “She’s not my cat.” The man reached again.

Naseem stepped backward. “Don’t touch me.” Nobody seemed to hear the last word. More phones appeared. Someone was livestreaming. “Look at the cat-hand guy freaking out.” The man reached a third time. Naseem swung his right arm. Sisan’s skull struck the man across the face. He fell. For the first time since Naseem had arrived in America, nobody tried to pet her.

The video lasted seventeen seconds. By midnight it had several million views. Different accounts gave it different titles:

IMMIGRANT ATTACKS MAN WITH CAT.

CAT-HAND REFUGEE ASSAULTS GOOD SAMARITAN.

DISTURBING: MIGRANT USES a cat AS WEAPON.

Another video began two seconds earlier and showed the man reaching for Sisan. It received considerably fewer views. Naseem was arrested.

The legal problem was unprecedented. If Sisan was part of Naseem’s body, then he had punched the man. If she was an animal, Naseem had used an animal as a weapon. If she possessed independent consciousness, however, perhaps she had acted in self-defense. Animal-rights organizations became interested. Then immigration lawyers. Then constitutional scholars. Then television networks. Within weeks, people who had never met Naseem were arguing passionately about what Sisan deserved. They were arguing passionately about his body as if it was not his.

One animal-rights organization released a statement: Sisan is not property. She is a sentient being entitled to dignity, bodily autonomy, and protection. Naseem read it three times. He agreed with every word. Then he reached the final paragraph. The organization recommended that Sisan be surgically separated from Naseem and placed in an accredited sanctuary. His lawyer called this encouraging. “Encouraging?” “They’re opposing deportation.” “Of my hand.” “They have a lot of public support.” “She will die if they cut her off.” “They have veterinarians who disagree.” “She is my hand.” “I know.” There it was again. I know.

The hearing was broadcast nationally. The courtroom was full. A veterinary neurologist testified that Sisan displayed independent responses. A bioethicist testified that bodily attachment did not necessarily imply unified personhood. An immigration attorney argued that Naseem’s case should not be reduced to his unusual anatomy. An animal-rights lawyer argued that calling Sisan anatomy was itself an act of violence. Naseem sat between his attorneys. Nobody asked him a question for almost three hours.

During a recess, one of the lawyers approached. “You’re doing great.” “I haven’t done anything.” “Exactly.” She smiled. “That’s good.” Sisan looked at her. For once, she did not meow.

The court eventually reached what television commentators called a historic compromise. Naseem would be deported. Sisan would not. The surgical separation would take place before his removal. The judge devoted seventeen pages of the decision to Sisan’s rights. Naseem’s name appeared eleven times.

That night, alone in detention, Naseem read the decision again. Sisan rested against his chest. He remembered hiding her beneath his school uniform. His mother combing her fur. The airport in New York. The university poster. EVERY BODY BELONGS HERE. What a joke. He began laughing. Sisan woke. He laughed until his stomach hurt. Then he cried. “I’m sorry,” he whispered. Sisan licked his chin. There was only one place left where nobody could take her.

The guard found him before dawn. Naseem had bitten through the fur. Then the flesh. Then the small bones beneath. He had screamed while doing it. Sisan had screamed too. He continued. Every instinct in his body ordered him to stop, but every bite brought Sisan farther inside the only territory he still controlled: his own body.

He ate his “Hand”.

When the guard opened the cell, Naseem was sitting against the wall in a pool of blood. His right arm ended below the elbow. There was fur around his mouth. The first photograph appeared online seventeen minutes later. By noon, the headline was everywhere:

REFUGEE EATS CAT ALIVE IN DETENTION CELL.

The photograph showed Naseem clearly. It was the first viral photograph in which his face was larger than Sisan. Sisan’s head didn’t appear at all.

There were protests. There were counterprotests. Animal-rights activists carried photographs of Sisan. Anti-immigration demonstrators carried photographs of Naseem’s bloody mouth. Television hosts asked what kind of “culture” could produce a man capable of eating his own cat “Radical Muslim”. A senator called the case proof that the country needed stronger immigration screening. A university spokesperson removed Naseem’s diversity poster from the website.

Months later, during the proceedings that would determine what remained to be done with him, Naseem began complaining of movement in his stomach. Doctors attributed it to stress. Then came the purring. At first only Naseem could hear it. At night he placed his remaining hand against his abdomen. “Sisan?” Something moved. He smiled.

The movement became painful. His abdomen swelled. Doctors ordered scans, but the images were difficult to interpret. One physician described what he saw as an impossible mass of tissue, fur, and bone. By then the media had returned. Cameras waited outside the hospital. Experts debated whether Sisan had survived. Animal-rights organizations petitioned the court for immediate access.

Naseem refused surgery. For the first time, everyone asked what he wanted. “No,” he said. It was the last word he spoke.

In the weeks that followed, attacks against immigrants increased. Naseem’s face appeared on posters and campaign advertisements. Clips of him biting Sisan from the cell cameras were slowed down, enlarged, replayed, and accompanied by dramatic music. The seventeen-second video of the stranger reaching for his hand disappeared almost completely from public memory. Eventually, even Sisan became secondary. What remained was the image of Naseem’s mouth covered in blood. His chin, again, this time, red.

The government announced that Naseem would be executed. The decision was controversial until a television network proposed broadcasting the execution live during the Super Bowl. Then it became an event. The network purchased exclusive broadcasting rights, sponsors competed for advertising slots, and commentators debated whether the execution should take place before the national anthem or after it.

“We should kill him in the south”

Producers eventually decided that after the anthem would be more respectful. For weeks, advertisements announced the spectacle: JUSTICE. LIVE.

On the appointed day, the stadium was full. Naseem stood beneath the lights at the edge of the field, the gallows in front of him. Around him, tens of thousands of people screamed from the stands, while millions more watched from homes, restaurants, airports, bars, and hospital rooms across the country. A famous Hollywood singer walked onto the field, and everyone stood. Naseem stood too. The national anthem began. He looked strangely small beneath the enormous flag.

When the song ended, fireworks exploded above the stadium, and the crowd cheered. The television broadcast cut briefly to commercials. When it returned, drums had begun to beat, and Naseem was led toward the gallows. He did not resist. For months he had tried to explain that Sisan was his hand. He had explained it to airport officers, university administrators, restaurant managers, police officers, lawyers, judges, journalists, doctors, and strangers on the street. Everyone had eventually decided what she was without him. There was nothing left to explain. And for him, he knew, deep in him, as a poor immigrant from Algeria, and quite brown, they would never listen to him, whether he spoke or meowed. They already decided he was the villain in the story; nobody would change that.

He walked. Halfway to the gallows, Naseem stopped. Something moved inside his stomach. He bent slightly, but the guards ordered him forward. He took another step, and something moved again, this time harder. Naseem placed his left hand over his abdomen. From somewhere inside him came a sound so faint that at first only he could hear it: a purr. Naseem froze. “Sisan?”

The crowd became quiet. His stomach contracted violently, and he fell to his knees. At first, the spectators thought it was resistance. Then they thought it was fear. Some began booing. A commentator whispered that Naseem appeared to be having some kind of medical episode. Then Naseem screamed.

Something was eating him from the inside. His abdomen twisted beneath his clothes as he rolled onto the ground, clutching himself with his remaining hand. The guards stepped backward. The cameras moved closer. The crowd stopped booing, but nobody looked away. The purring became loud enough for the microphones to catch it. Then came the meowing. Naseem screamed her name. “Sisan!”

The cat continued eating. She ate the stomach that had hidden her. She ate the lungs. She ate the heart. She ate the body that had carried her through Algiers, Paris, New York, classrooms, kitchens, airports, courtrooms, and prison cells. Naseem was disappearing from the inside out.

The television director ordered every camera to keep rolling. Millions watched. Some covered their children’s eyes but continued watching themselves. Others raised their phones toward television screens. In the stadium, people stood on their seats to see better. The screams that had demanded Naseem’s death minutes earlier had disappeared.

By the time Sisan reached the last pieces of him, Naseem had stopped screaming. For a few seconds, what remained of his body moved on the grass. Then it was still. The cat emerged, not a head attached to an arm anymore, but a complete gray cat. Four legs. A tail. Green eyes. Blood covered her fur. She stood in the middle of the field where Naseem had been and looked at the enormous crowd.

Nobody moved. Then the stadium erupted in applause.

Sisan took several uncertain steps and collapsed. By the time the veterinarians reached her, she was dead. The network broke every audience record in its history. Advertising revenue from the broadcast exceeded all projections. Capitalism in the peak.

Within hours, clips of Sisan emerging from Naseem’s body became the most-watched footage in the world.

Naseem’s death occupied the news for several days. Sisan’s death lasted much longer. Animal-rights organizations demanded an investigation into whether the authorities could have saved her. Commentators asked whether she had spent her entire life imprisoned inside the body of another “Global South” creature. Documentaries were produced about her. Children’s books told the story of the extraordinary gray cat who had struggled to become free of a “wild, dangerous, brown man”. A major studio purchased the film rights. THE CAT.

Eventually, a coalition raised enough money for a bronze statue. It was placed in a public park. The sculptor depicted Sisan standing proudly on four legs, looking toward the horizon. Naseem was not included. The inscription read: SISAN, A CAT WHO FOUGHT FOR HER FREEDOM.

At the dedication ceremony, politicians spoke about compassion. Activists spoke about bodily autonomy. A celebrity spoke about kindness to animals. Someone left flowers beneath the statue. Someone else left a small American flag. Children climbed onto the pedestal and wrapped their arms around the bronze cat while their parents took photographs.

For several years, people continued to visit Sisan. Eventually, most of them forgot why she had become famous. Almost nobody remembered Naseem. And those who did remembered him only as the immigrant who had once tried to eat an innocent cat.

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